THE MAN IN THE BROWN SUIT by AGATHA CHRISTIE - Chapter 7
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CAPÍTULO VII.

Sacudiendo los sentimientos que me oprimían, fui rápidamente arriba. No tuve dificultad para encontrar la habitación de la tragedia. El día que se descubrió el cuerpo había llovido mucho, y grandes botas fangosas habían pisoteado el suelo sin alfombra en todas direcciones. Me pregunté si el asesino había dejado huellas el día anterior. Era posible que, si lo hubiera hecho, la policía se mostrara reticente al respecto, pero, tras pensarlo bien, decidí que era poco probable. El tiempo había sido bueno y seco.
La habitación no presentaba nada de interés. Era casi cuadrada, con dos grandes ventanales, paredes blancas y lisas y un suelo desnudo, con las tablas manchadas en los bordes donde terminaba la alfombra. La registré con cuidado, pero no había ni un alfiler tirado por ahí. No parecía probable que la joven y brillante detective descubriera una pista que se había pasado por alto.
Había llevado un lápiz y un cuaderno. No había mucho que anotar, pero dibujé rápidamente un breve plano de la habitación para disimular mi decepción por el fracaso de mi búsqueda. Estaba a punto de dejar el lápiz en mi bolsa cuando se cayó de mis dedos y rodó por el suelo.
La Mill House era realmente vieja y los pisos eran muy desiguales. El lápiz rodó sin parar, ganando impulso, hasta que se detuvo debajo de una de las ventanas. En el hueco de cada ventana había un amplio asiento, debajo del cual había un armario. Mi lápiz estaba justo contra la puerta del armario. El armario estaba cerrado, pero de repente se me ocurrió que si hubiera estado abierto mi lápiz habría ido rodando adentro. Abrí la puerta, e inmediatamente mi lápiz rodó hacia adentro y se refugió modestamente en el rincón más alejado. Lo recuperé, observando que debido a la falta de luz y la peculiar conformación del armario no se lo podía ver, sino que había que tantearlo. Aparte de mi lápiz, el armario estaba vacío, pero por ser meticulosa por naturaleza probé el que estaba bajo la ventana opuesta.
A primera vista, parecía que también estaba vacío, pero rebusqué con perseverancia y mi esfuerzo se vio recompensado cuando noté que mi mano se cerraba sobre un cilindro duro de papel que se encontraba en una especie de cavidad o hueco, en el rincón más alejado del armario. En cuanto lo tuve en la mano, supe lo que era. Un rollo de película Kodak. ¡Qué hallazgo!
Me di cuenta, por supuesto, de que esas películas bien podían ser un viejo rollo perteneciente a sir Eustace Pedler que había rodado hasta allí y no había sido encontrado cuando se vació el armario. Pero no lo pensé. El papel rojo parecía demasiado nuevo. Solo tenía polvo de dos o tres días, es decir, desde el asesinato. Si hubiera quedado allí por más tiempo, se habría cubierto de una capa gruesa.
¿Quién lo había dejado caer? ¿La mujer o el hombre? Recordé que el contenido de su bolso había parecido intacto. Si se hubiera abierto en la lucha y el rollo de películas hubiera caído, ¿seguro que parte del dinero suelto también habría estado disperso? No, no fue la mujer quien dejó caer las películas.
Olfateé de repente y sospechosamente. ¿El olor de la naftalina se convertía en una obsesión para mí? ¿Podría jurar que el rollo de películas también olía a ella? Lo tuve bajo la nariz. Tenía, como de costumbre, un fuerte olor propio, pero, aparte de eso, pude detectar claramente el olor que tanto me desagradaba. Pronto descubrí la causa. Un minúsculo trozo de tela se había enganchado en un borde irregular de la madera central, y ese trozo estaba fuertemente impregnado de olor a naftalina. En algún momento, las películas habían sido transportadas en el bolsillo del abrigo del hombre que murió en el metro. ¿Era él quien las había dejado caer aquí? Apenas. Todos sus movimientos habían sido recordados.
No, era el otro hombre, el 'médico'. Se había llevado las películas cuando tomó el papel. Era él que las había dejado caer mientras se peleaba con la mujer.
¡Ya tenía la pista! Haría revelar el rollo de película, y luego tendría otros acontecimientos en los que trabajar.
Eufórica, salí de la casa, le devolví las llaves a la señora James y me dirigí lo más rápido posible a la estación. Regresando a la ciudad, saqué mi papel y lo estudié de nuevo. De repente, las cifras tomaron un nuevo significado. ¿Y si fueran una fecha? 17 1 22. El 17 de enero de 1922. ¡Seguro que tenía que ser eso! Qué tonta fui por no haberlo pensado antes. Pero, en ese caso, tenía que averiguar dónde estaba el castillo de Kilmorden, pues, de hecho, ya era 14. Tres días. Muy poco... ¡casi imposible cuando uno no tiene ni idea de dónde buscar!
Hoy era demasiado tarde para entregar mi rollo. Tenía que darme prisa en volver a casa, a Kensington, para no llegar tarde a la cena. Pensé que había una manera fácil de ver si mis conclusiones eran correctas. Pregunté al Sr. Flemming si había una cámara entre las cosas del muerto. Sabía que estaba interesado en el caso y conocía todos los detalles.
Para mi sorpresa y disgusto, me respondió que no había ninguna cámara. Todas las pertenencias de Carton habían sido revisadas con la esperanza de encontrar algo que pudiera aclarar su estado mental. Él estaba seguro de que no había ningún tipo de cámara.
Eso fue un buen contratiempo para mi teoría. Si no tenía cámara, ¿por qué llevaba un rollo de películas?
Salí temprano la mañana siguiente para llevar mi precioso rollo para revelar. Estaba tan exigente que fui hasta Regent Street a la gran tienda de Kodak. Lo entregué y pedí una copia de cada película. El hombre terminó de apilar un montón de rollos de película empaquetados en cilindros de hojalata amarillos para los trópicos y cogió mi rollo.
Me miró.
''Creo que se ha equivocado'', dijo sonriendo.
''No'', dijé. ''Seguro que no''.
''Usted me ha dado el rollo equivocado. Esto no fue usado
Salí con toda la dignidad que pude reunir. ¡Me atrevo a decir que es bueno de vez en cuando darse cuenta de lo idiota que se puede ser! Pero nadie disfruta de la experiencia.
Y entonces, justo cuando pasaba por delante de una de las grandes oficinas de una naviera, me detuve en seco. En el escaparate había una hermosa maqueta de uno de los barcos de la compañía, y llevaba la inscripción "Kenilworth Castle". Una idea descabellada me pasó por la cabeza. Empujé la puerta y entré. Me acerqué al mostrador y, con voz temblorosa (¡esta vez auténtica!): murmuré: "¿Kilmorden Castle?".
"El 17 desde Southampton. ¿Ciudad del Cabo? ¿Primera o segunda clase?".
''¿Cuánto cuesta?''
''Primera clase, ochenta y siete libras...''
Le interrumpí. La coincidencia era demasiado para mí. ¡Exactamente la cantidad de mi herencia! Puse todos mis huevos en la misma canasta.
''Primera clase'', dije.
Ahora estaba definitivamente comprometida con la aventura.
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CHAPTER VII.
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Shaking off the feelings that oppressed me, I went quickly upstairs.
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I had no difficulty in finding the room of the tragedy.
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I wondered if the murderer had left any footmarks the previous day.
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The weather had been fine and dry.
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There was nothing of interest about the room.
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I searched it carefully, but there was not so much as a pin lying about.
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The gifted young detective did not seem likely to discover a neglected clue.
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I had brought with me a pencil and notebook.
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The Mill House was really old, and the floors were very uneven.
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In the recess of each window there was a broad window-seat, underneath which there was a cupboard.
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My pencil was lying right against the cupboard door.
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As soon as I had it in my hand, I knew what it was.
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A roll of Kodak films.
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Here was a find!
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But I did not think so.
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The red paper was far too fresh-looking.
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Had it been there for any length of time, it would have been thickly coated.
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Who had dropped it?
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The woman or the man?
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I remembered that the contents of her handbag had appeared to be intact.
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No, it was not the woman who had dropped the films.
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I sniffed suddenly and suspiciously.
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Was the smell of moth balls becoming an obsession with me?
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I could swear that the roll of films smelt of it also?
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I held them under my nose.
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I soon found the cause.
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Was it he who had dropped them here?
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Hardly.
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His movements were all accounted for.
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No, it was the other man, the “doctor.” He had taken the films when he had taken the paper.
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It was he who had dropped them here during his struggle with the woman.
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I had got my clue!
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I would have the roll developed, and then I would have further developments to work upon.
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On the way back to town, I took out my paper and studied it afresh.
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Suddenly the figures took on a new significance.
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Suppose they were a date?
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17 1 22.
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The 17th of January, 1922.
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Surely that must be it!
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Idiot that I was not to have thought of it before.
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Three days.
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Little enough—almost hopeless when one had no idea of where to look!
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It was too late to hand in my roll to-day.
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I had to hurry home to Kensington so as not to be late for dinner.
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I knew that he had taken an interest in the case and was conversant with all the details.
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To my surprise and annoyance he replied that there had been no camera.
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He was positive that there had been no photographic apparatus of any kind.
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That was rather a set-back to my theory.
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If he had no camera, why should he be carrying a roll of films?
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I set out early next morning to take my precious roll to be developed.
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I was so fussy that I went all the way to Regent Street to the big Kodak place.
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I handed it in and asked for a print of each film.
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He looked at me.
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“You’ve made a mistake, I think,” he said, smiling.
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“Oh, no,” I said.
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“I’m sure I haven’t”.
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“You’ve given me the wrong roll.
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This is an unexposed one”.
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I walked out with what dignity I could muster.
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I dare say it is good for one now and again to realize what an idiot one can be!
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But nobody relishes the process.
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And then, just as I was passing one of the big shipping offices, I came to a sudden halt.
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I pushed the door open and went in.
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I went up to the counter and in faltering voice (genuine this time!)
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I murmured: “Kilmorden Castle”?
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“On the 17th from Southampton.
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Cape Town?
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First or second class”?
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“How much is it”?
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“First class, eighty-seven pounds——”.
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I interrupted him.
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The coincidence was too much for me.
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Exactly the amount of my legacy!
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I would put all my eggs in one basket.
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“First class,” I said.
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I was now definitely committed to the adventure.
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Chapter Chapter locations
Prologue https://translatihan.com/couples/en-es/articles/3350/ .
1. https://translatihan.com/couples/en-es/articles/3352/
2. https://translatihan.com/couples/en-es/articles/3353/
3. https://translatihan.com/couples/en-es/articles/3354/
4. https://translatihan.com/couples/en-es/articles/3355/
5. https://translatihan.com/couples/en-es/articles/3356/
6. https://translatihan.com/couples/en-es/articles/3371/
7. https://translatihan.com/couples/en-es/articles/3372/
8. https://translatihan.com/couples/en-es/articles/3373/
9. https://translatihan.com/couples/en-es/articles/3374/
10. https://translatihan.com/couples/en-es/articles/3375/
11. https://translatihan.com/couples/en-es/articles/3400/
12. https://translatihan.com/couples/en-es/articles/3401/
13. https://translatihan.com/couples/en-es/articles/3402/
14. https://translatihan.com/couples/en-es/articles/3403/
15. https://translatihan.com/couples/en-es/articles/3404/
16. https://translatihan.com/couples/en-es/articles/3481/
17. https://translatihan.com/couples/en-es/articles/3482/
18. https://translatihan.com/couples/en-es/articles/3483/
19. https://translatihan.com/couples/en-es/articles/3484/
20. https://translatihan.com/couples/en-es/articles/3485/
21. https://translatihan.com/couples/en-es/articles/3518/
22. https://translatihan.com/couples/en-es/articles/3519/
23. https://translatihan.com/couples/en-es/articles/3520/
24. https://translatihan.com/couples/en-es/articles/3521/
25. https://translatihan.com/couples/en-es/articles/3522/
26. https://translatihan.com/couples/en-es/articles/3547/
27. https://translatihan.com/couples/en-es/articles/3548/
28. https://translatihan.com/couples/en-es/articles/3549/
29. https://translatihan.com/couples/en-es/articles/3550/
30. https://translatihan.com/couples/en-es/articles/3551/
31. https://translatihan.com/couples/en-es/articles/3586/
32. https://translatihan.com/couples/en-es/articles/3587/
33. https://translatihan.com/couples/en-es/articles/3588/
34. https://translatihan.com/couples/en-es/articles/3589/
35. https://translatihan.com/couples/en-es/articles/3590/
36. https://translatihan.com/couples/en-es/articles/3591/ The end

by soybeba 5 months ago

CHAPTER VII.

Shaking off the feelings that oppressed me, I went quickly upstairs. I had no difficulty in finding the room of the tragedy. On the day the body was discovered it had rained heavily, and large muddy boots had trampled the uncarpeted floor in every direction. I wondered if the murderer had left any footmarks the previous day. It was likely that the police would be reticent on the subject if he had, but on consideration I decided it was unlikely. The weather had been fine and dry.
There was nothing of interest about the room. It was almost square with two big bay windows, plain white walls and a bare floor, the boards being stained round the edges where the carpet had ceased. I searched it carefully, but there was not so much as a pin lying about. The gifted young detective did not seem likely to discover a neglected clue.
I had brought with me a pencil and notebook. There did not seem much to note, but I duly dotted down a brief sketch of the room to cover my disappointment at the failure of my quest. As I was in the act of returning the pencil to my bag, it slipped from my fingers and rolled along the floor.
The Mill House was really old, and the floors were very uneven. The pencil rolled steadily, with increasing momentum, until it came to rest under one of the windows. In the recess of each window there was a broad window-seat, underneath which there was a cupboard. My pencil was lying right against the cupboard door. The cupboard was shut, but it suddenly occurred to me that if it had been open my pencil would have rolled inside. I opened the door, and my pencil immediately rolled in and sheltered modestly in the farthest corner. I retrieved it, noting as I did so that owing to the lack of light and the peculiar formation of the cupboard one could not see it, but had to feel for it. Apart from my pencil the cupboard was empty, but being thorough by nature I tried the one under the opposite window.
At first sight, it looked as though that also was empty, but I grubbed about perseveringly, and was rewarded by feeling my hand close on a hard paper cylinder which lay in a sort of trough, or depression, in the far corner of the cupboard. As soon as I had it in my hand, I knew what it was. A roll of Kodak films. Here was a find!
I realized, of course, that these films might very well be an old roll belonging to Sir Eustace Pedler which had rolled in here and had not been found when the cupboard was emptied. But I did not think so. The red paper was far too fresh-looking. It was just as dusty as it would have been had it laid there for two or three days—that is to say, since the murder. Had it been there for any length of time, it would have been thickly coated.
Who had dropped it? The woman or the man? I remembered that the contents of her handbag had appeared to be intact. If it had been jerked open in the struggle and the roll of films had fallen out, surely some of the loose money would have been scattered about also? No, it was not the woman who had dropped the films.
I sniffed suddenly and suspiciously. Was the smell of moth balls becoming an obsession with me? I could swear that the roll of films smelt of it also? I held them under my nose. They had, as usual, a strong smell of their own, but apart from that I could clearly detect the odour I disliked so much. I soon found the cause. A minute shred of cloth had caught on a rough edge of the centre wood, and that shred was strongly impregnated with moth balls. At some time or another the films had been carried in the overcoat pocket of the man who was killed in the Tube. Was it he who had dropped them here? Hardly. His movements were all accounted for.
No, it was the other man, the “doctor.” He had taken the films when he had taken the paper. It was he who had dropped them here during his struggle with the woman.
I had got my clue! I would have the roll developed, and then I would have further developments to work upon.
Very elated, I left the house, returned the keys to Mrs. James and made my way as quickly as possible to the station. On the way back to town, I took out my paper and studied it afresh. Suddenly the figures took on a new significance. Suppose they were a date? 17 1 22. The 17th of January, 1922. Surely that must be it! Idiot that I was not to have thought of it before. But in that case I must find out the whereabouts of Kilmorden Castle, for to-day was actually the 14th. Three days. Little enough—almost hopeless when one had no idea of where to look!
It was too late to hand in my roll to-day. I had to hurry home to Kensington so as not to be late for dinner. It occurred to me that there was an easy way of verifying whether some of my conclusions were correct. I asked Mr. Flemming whether there had been a camera amongst the dead man’s belongings. I knew that he had taken an interest in the case and was conversant with all the details.
To my surprise and annoyance he replied that there had been no camera. All Carton’s effects had been gone over very carefully in the hopes of finding something that might throw light upon his state of mind. He was positive that there had been no photographic apparatus of any kind.
That was rather a set-back to my theory. If he had no camera, why should he be carrying a roll of films?
I set out early next morning to take my precious roll to be developed. I was so fussy that I went all the way to Regent Street to the big Kodak place. I handed it in and asked for a print of each film. The man finished stacking together a heap of films packed in yellow tin cylinders for the tropics, and picked up my roll.
He looked at me.
“You’ve made a mistake, I think,” he said, smiling.
“Oh, no,” I said. “I’m sure I haven’t”.
“You’ve given me the wrong roll. This is an unexposed one”.
I walked out with what dignity I could muster. I dare say it is good for one now and again to realize what an idiot one can be! But nobody relishes the process.
And then, just as I was passing one of the big shipping offices, I came to a sudden halt. In the window was a beautiful model of one of the company’s boats, and it was labelled “Kenilworth Castle.” A wild idea shot through my brain. I pushed the door open and went in. I went up to the counter and in faltering voice (genuine this time!) I murmured:
“Kilmorden Castle”?
“On the 17th from Southampton. Cape Town? First or second class”?
“How much is it”?
“First class, eighty-seven pounds——”.
I interrupted him. The coincidence was too much for me. Exactly the amount of my legacy! I would put all my eggs in one basket.
“First class,” I said.
I was now definitely committed to the adventure.